Saturday 24 August 2013

FELIX MENDELSSOHN - EARLY WORKS FOR PIANO

When the opus primum of Felix Mendelssohn Bartholdy, a piano quartet, appeared in
1823, the composer already had to his credit a substantial number of compositions,
just as the young Brahms in the 1850s applied himself diligently to composition
before releasing his 'first' work, the C major Piano Sonata. In the case of Brahms,
few of the student works have survived; in fact, many were destroyed by Brahms
himself. Though Mendelssohn was no less critical of his own work, he was more
careful to preserve his early manuscripts. Indeed, a substantial portion of manuscripts
from Mendelssohn's student period has come down to us, though not all the
early compositions are yet available. Gathered here is a collection of several pieces
for piano solo from Mendelssohn's formative decade, the 1820s.

The first 4 pieces are from Margaret Deneke Mendelssohn Collection in Bodleian Library while the last 2 are from Pierpont Morgan Library.

FELIX MENDELSSOHN - Unpublished song without words

       Song without words, a composite genre that blends a typical German art song and a lyrical piano character piece, often called Lied ohne worte or Romance sans parole. The origin of its title still remain unknown but was widely spread throughout Europe in the 19th century. Felix Mendelssohn has saw six volumes of Lieder ohne Worte in press, which is op.19b, 30, 38, 53, 62 and 67. The other 2 opuses, 85 and 102 was compiled from disparate manuscripts in his estate, which published posthumously, later became part of the Mendelssohn 'Complete' Works. It was not until the late 20th-century, which saw the unearthing of 8 more Lied ohne Worte, resided in Mendelssohn Archives. The earliest dated song from the 8 is a Lied in Es, a birthday gift to her sister, Fanny.
The next piece, Lied in A major, was inserted to a letter to Fanny in 1830.
Lied in F-sharp minor, subsequently reworked into the Duett Op.63 No.4
an untitled piano piece in A major written during the composer’s honeymoon in 1837
the separately published Gondellied in A major of 1841
Lied ohne Worte in F major written for Doris Loewe

Lied in D major, MWV U178, drafted in 1843 , then partially revised and abandoned.

Reiterlied in D minor, of which several copies survive between 1844 and 1846

Apart from all these, there is also a fragmentary Lied in Es, MWV U82 (which was completed by R.Larry Todd)

ALL WORKS MENTIONED ABOVE ARE PUBLISHED BY BARENREITER, GIVEN INCIPITS ARE FROM PD SOURCES.

A list of potential Song without Words are listed below (though no proof of being authorized):

Andante con moto in A major, MWV U75
Allegretto in A minor, MWV U160 (ca. 1840-42)
Auf Frohliches Wiedersehn A-dur (a rather late piece, dated 1847), MWV U197

Friday 16 August 2013

MENDELSSOHN PIANO WORKS editions

     In urtext editions, the selling of Mendelssohn's piano works never exceeded Bach, Beethoven Mozart or Chopin, these '4' remained in the urtext topseller for a long period of time due to 'excessive' use in concert repertoire, in exam songlists and other marketing trends. This injustice has prolonged uncontrollably and resulted in diminishing sales of works by other composers, thus increasing their sale price or some will get into bargain (sign of EOL).In 2009, the Mendelssohnian year, Henle has published the known piano works by Felix Mendelssohn, comprising all published works and some unpublished works. Undoubtedly, their sales have never been good, this can be observed in some music stores, which no longer keep these urtexts on their stocklist due to low profit margin. I sincerely hope that the performing of piano works of Mendelssohn will never end and they should be added into every serious repertoire. Here are a few Mendelssohn urtext that I will like to recommend.

These blue-covered editions are a significant approach in the milestone of Mendelssohn. They comprises a lot of works but are priced at $70 per book. I haven't bought any of these but they seem to be the best edition on sale nowadays. (Note that the editions above do not contain any SWW, they are published separately)

The Dover edition is reprints from the public domain 'Complete works by Felix Mendelssohn' by Julius Rietz. The 2 books contain much from Mendelssohn's piano oeuvre, including SWW. The problem is there is no fingerings added in the pieces inside (a problem for learners) and the notes doesn't seem to please the eye. Regarding wrong notes or phrasing, I believe there are plenty inside but what I do recommend is the low price compared to other urtexts, this makes it best to promote Mendelssohn's piano works to the wide public.

Saturday 10 August 2013

PROJECT DOHLER

Largely forgotten 19th-century piano virtuoso, composed hundreds of piano works but none remained in the standard repertoire nowadays.This project aims to restore the composer's reputation and place by collecting available scores in various European libraries. A fascimile edition of some piano works by the composer is edited by Jeffrey Kallberg in the book: Piano music of the Parisian Virtuosos - Selected works by Henri Bertini and Theodor Dohler. Below is a worklist of available works by the composer, in various editions.


Doehler - 03 - Introduction and theme with variations from 'I Montecchi E Capuleti' !.pdf 
Doehler - 04 - Variations sur 'Norma' (ed.Diabelli).pdf 
Doehler - 04 - Variations sur 'Norma' (ed.Lucca) !.pdf 
Doehler - 05 - Rondeau sur un air de 'Zampa' (Herold) (RFC) !.pdf 
Doehler - 06 - Fantaisie sur 'Robert le diable' (a Thalberg) !.pdf 
Doehler - 07 - Piano Concerto !!.pdf 
Doehler - 08 - Intr.et Variations sur 'La Sonnambula'.pdf 
Doehler - 09 - Variations sur 'La Sonnambula' (ed.Mechetti) !.pdf 
Doehler - 09 - Variations sur 'La Sonnambula' (ed.Pozzi) !.pdf 
Doehler - 10 - Rondino (RFC) !.pdf 
Doehler - 11 - Rondino sur 'Un'avventura di Scaramuccia' (Ricci) !.pdf 
Doehler - 12 - Variations sur 'Le Bal masque' (Auber) !.pdf 
Doehler - 12 - Variations sur 'Le Bal masque' (Auber) alt.pdf 
Doehler - 14 bis n.2 - Fantaisie n.2 sur 'I Puritani' !.pdf 
Doehler - 14 n.1 - Fantasie n.1 sur L'elisir d'amore (Donizetti) !.pdf 
Doehler - 14 n.2 - Fantasie n.2 sur L'elisir d'amore (Donizetti) !.pdf 
Doehler - 14 n.2 - Fantasie n.2 sur L'elisir d'amore (Donizetti) alt alt.pdf 
Doehler - 14 n.2 - Fantasie n.2 sur L'elisir d'amore (Donizetti) alt.pdf 
Doehler - 15 - Derniere pensee musicale de Bellini alt.pdf 
Doehler - 15 - Derniere pensee musicale de Bellini.pdf 
Doehler - 17 - Fantaisie sur une Cavatine de 'Anna Bolena' !.pdf 
Doehler - 18 - Amusement de Salon sur 'Le cor des alpes' !.pdf 
Doehler - 19 - Rondino sur 'Les sonnambules' (Strauss) !.pdf 
Doehler - 20 - Rondino sur 'La festa della rosa' (Coppola) !.pdf 
Doehler - 21 - Fantaisie, Variations et Rondeau Final sur Lucia di Lammermoor de Donizetti (CJ) (!).pdf 
Doehler - 21 - Fantaisie, Variations et Rondeau Final sur Lucia di Lammermoor de Donizetti alt.pdf 
Doehler - 22 - Variations sur 'Les Huguenots' (Meyerbeer) !.pdf 
Doehler - 24 - Nocturne alt.pdf 
Doehler - 24 - Nocturne Db.pdf 
Doehler - 24 - Nocturne.pdf 
Doehler - 25 - Deux Nocturnes (RFC) !.pdf 
Doehler - 26 - Valses Brillantes (RFC) !.pdf 
Doehler - 27 - Fantaisie sur 'The Gypsy's warnng' (Benedict) !.pdf 
Doehler - 28 - Grande Fantaisie et Variations sur Guillaume Tell de Rossini (CJ) (ed.Schott) !.pdf 
Doehler - 28 - Grande Fantaisie et Variations sur Guillaume Tell de Rossini (ed.D'Almaine).pdf 
Doehler - 29 n.1 - 3 Morceaux - Fantaisie sur 'Les Treize' (Halevy) !.pdf 
Doehler - 29 n.1 - 3 Morceaux - Jean d'Arc de Balfe !.pdf 
Doehler - 29 n.1 - 3 Morceaux - Jean d'Arc de Balfe alt.pdf 
Doehler - 30 - Douze Etudes (a Berlioz) ! alt.pdf 
Doehler - 30 - Douze Etudes (a Berlioz) !.pdf 
Doehler - 30 n.1 - Etude n.1.pdf 
Doehler - 31 - Deux Nocturnes !.pdf 
Doehler - 32 - Andantino !.pdf 
Doehler - 33 - Grand Divertissement (RFC) !.pdf 
Doehler - 34 - Souvenir de Florence !.pdf 
Doehler - 35 - Divertissement sur 'Le Guitarrero' (Halevy) !.pdf 
Doehler - 37 - Grand Caprice sur 'Guido e Ginevra' (Halevy) (a Liszt) !.pdf 
Doehler - 38 - Fantaisie sur 'Beatrice di Tenda' (Bellini) !.pdf 
Doehler - 38 - Fantaisie sur 'Beatrice di Tenda' (Bellini) (ed.Cramer).pdf 
Doehler - 39 n.1 - Tarantelle !.pdf 
Doehler - 39 n.1 - Tarantelle (ed.Litolff).pdf 
Doehler - 39 n.2 - Deux Impromptus fugitifs !.pdf 
Doehler - 40 n.1 - Album - Rondino villageois de Auber !.pdf 
Doehler - 40 n.2 - Album - Bagatelle sur un air de Nice !.pdf 
Doehler - 40 n.2 - Album - Bagatelle sur un air de Nice (ed.Schott).pdf 
Doehler - 40 n.3 - Album - Romance et Cavatine de Donizetti !.pdf 
Doehler - 40 n.4 - Album - Petite Fantaisie sur la Norma !.pdf 
Doehler - 40 n.4 - Album - Petite Fantaisie sur la Norma alt.pdf 
Doehler - 40 n.5 - Album - Nocturne sentimental sur une Romance d'Adam !.pdf 
Doehler - 40 n.5 - Album - Nocturne sentimental sur une Romance d'Adam (ed.Lahou).pdf 
Doehler - 40 n.6 - Album - Fantaisie sur une melodie de Meyerbeer !.pdf 
Doehler - 40 n.7 - Album - Caprice brillant !.pdf 
Doehler - 40 n.8 - Album - Cavatine de 'La donna del lago' (Rossini) !.pdf 
Doehler - 41 - Ballade !.pdf 
Doehler - 41 - Ballade alt.pdf 
Doehler - 42 - 50 etudes !.pdf 
Doehler - 42 - Deux etudes.pdf 
Doehler - 42 n.33 - Etude LH (ed.Litolff).pdf 
Doehler - 43 - Fantaisie sur 'Maometto' (Rossini) !.pdf 
Doehler - 44 - Sei Melodie italiane (2H) !.pdf 
Doehler - 44 - Six melodies italiennes (vs).pdf 
Doehler - 45 - Six morceaux de salon.pdf 
Doehler - 45 n.3 - Adieu (Schubert) !.pdf 
Doehler - 45 n.3 - Adieu (Schubert) (ed.Schlesinger).pdf 
Doehler - 45 n.4 - Melodie de 'Il Torneo' (Westmorland) !.pdf 
Doehler - 45 n.5 - Le Bohemien !.pdf 
Doehler - 45 n.6 - L'Hidalgo !.pdf 
Doehler - 45 n.6 - Les espagnols - L'Hidalgo.pdf 
Doehler - 46 n.1 - Adieu a Copenhagen vl.pf. !.pdf 
Doehler - 46 n.2 - Souvenir de Naples vl.pf. !.pdf 
Doehler - 47 - 2me Grande Valse !.pdf 
Doehler - 48 - Deux Fantaisies sur 'Nabucodonosor' (Verdi) !.pdf 
Doehler - 49 - Fantaisie sur la 'Saffo' (Pacini) !.pdf 
Doehler - 50 n.1 - Polka brillante !.pdf 
Doehler - 51 - Fantaisie sur 'La Favorite' (Donizetti) !.pdf 
Doehler - 52 - Trois Nocturnes (8,9,10) !.pdf 
Doehler - 53 - Trois Mazourkas !.pdf 
Doehler - 54 - Andante de 'Dom Sebastien' (Donizetti) !.pdf 
Doehler - 55 - 2me Ballade !.pdf 
Doehler - 55 - 2me Ballade alt.pdf 
Doehler - 56 - Trois Polkas originales !.pdf 
Doehler - 57 - Un' été a Lucques - 12 Melodies.pdf 
Doehler - 58 - Trois Valses brillantes !.pdf 
Doehler - 59 - Deux Fantaisies sur 'I Lombardi' (Verdi) !.pdf 
Doehler - 60 - Trois melodies russes (a Henselt) !.pdf 
Doehler - 60 n.1 - Trois melodies russes - Nocturne (a Henselt).pdf 
Doehler - 61 - Grand Galop brillant (a Golinelli) !.pdf 
Doehler - 62 n.1 - Trot des Chevaliers Gardes !.pdf 
Doehler - 62 n.2 - Air napolitain varié !.pdf 
Doehler - 63 - Rondo sur 'Le Postillon' !.pdf 
Doehler - 64 - La suppliante !.pdf 
Doehler - 65 - Une promenade en gondole - Nocturne !.pdf 
Doehler - 66 - Grande Fantaisie sur 'La Sonnambula' !.pdf 
Doehler - 67 - Valses dansantes !.pdf 
Doehler - 68 - Deux Marches florentines (a L.De Meyer)!.pdf 
Doehler - 69 - 11me Nocturne !.pdf 
Doehler - 70 - 12me Nocturne !.pdf 
Doehler - 71 - Andante for Violin and Piano (CJ) !.pdf 
Doehler - 72 - Deux Fantaisies sur 'Macbeth' (Verdi) !.pdf 
Doehler - 73 - Cinq Fantaisies sur 'Le Prophete' !.pdf 
Doehler - 74 - Canzoni napoletane variate !.pdf 
Doehler - Allegro (February 26 1843) (MS) (CJ) (!).pdf 
Doehler - Etude (rev.Philipp).pdf 
Doehler - Feuillet d'album !.pdf 
Doehler - Il tremolo - Etude (ed.Pauer).pdf 
Doehler - Ne m'oubliez pas - Romance (ed.Litolff).pdf 
Doehler - Romance sans paroles.pdf 
Doehler - Rondino A (MPM).pdf

Tuesday 6 August 2013

The 'FIELDish' RONDOS from the Concertos

            John Field, as forementioned, a notable Irish composer with great masterpieces but now has shrinked to a composer of Nocturnes only. No concert given by Field would have been complete without one or more of his Rondos. He usually billed a nocturne paired with a rondo in the second, lighter part of his programmes, leaving the exact choice of these items to be decided at the last minute. 
           All Field's seven concertos end with brilliant rondos, as what I am focused on, excluding the original rondos, which will be featured in later parts. When no orchestra was available, he would play these pieces unaccompanied, making cuts in the tuttis and changes to the solo part as were necessary. Only three of the rondos were published in revised versions during his lifetime, those form 3rd, 4th and 5th Concertos, though most of the others were published separately, out of their proper context. 
          The rondo from the First Concerto can be played unaccompanied without being altered in any way. The tuttis are extremely brief and sound quite well on the piano. The rondo of the Second Concerto does not adapt quite so easily. Field managed to wrote out a solo arrangement of it for his own use, but the manuscript has not yet been published (as I don't have it too). The rondo from the Third Concerto needed more alteration to make it fit for playing without orchestra. This rondo, in its Polonaise form was always a favourite with Field's audiences. An intended substitution for the long Moderato in the rondo is given in a manuscript, which is unpublished, now available through this book: The Life and Music of John Field. This makes a perfection by smoothening in the solo arrangement of the rondo. A more drastic condensation of the piece with the new title Polonaise en forme de Rondeau was published in 1819.
         The fourth concerto has been published in its solo form of the whole concerto. The rondo is the least altered of the three, with most cuts in its solo part, the tutti parts though left unchanged. The rondos of Fifth and Sixth Concertos also exist in manuscript versions which required no accompaniment. It is obvious that Field has trimmed the concertos suitable to play in the solo form. The last rondo, which is from the Seventh Concerto, since the whole concerto was not even published, so does the revision of the rondo into solo form.
above shown is a snippet from the rondo of 1st Piano Concerto, the part before the tutti comes in. The rondo starts with a lullaby-like theme (an octave higher), imitates a traditional Irish instrument. This is not the original solo form of the rondo but it is most likely identical in notes and music.Score public domain, available at IMSLP.

above shown is a snippet from the rondo of 2nd Piano Concerto, the part before the tutti comes in. The rondo starts with a lovely theme that corresponds to its tempo Moderato innocente, and most suitable to play without orchestra. This is not the original solo form of the rondo but it is most likely identical in notes and music. Score copyrighted by Stainer and Bell, London. This is intended for educational purposes only.


above shown is a snippet from the rondo of 3rd Piano Concerto, the part after the tutti. The rondo starts with lullaby-like theme, imitates a scenery of a meadow, which is popular in Ireland. This is not the original solo form of the rondo but it is most likely identical in notes and music. Score copyrighted by Stainer and Bell, London. This is intended for educational purposes only.

above shown is a snippet from the rondo of 4th Piano Concerto, the part before the tutti comes in. The rondo starts with a lovely theme in pp, accompanied by soft strings. This is not the original solo form of the rondo but it is most likely identical in notes and music.Score public domain, available at IMSLP.

above shown is a snippet from the rondo of 5th Piano Concerto, the part before the tutti comes in. The rondo starts with a sonatina form, leading to tutti by a long cadenza. This is not the original solo form of the rondo but it is most likely identical in notes and music.Score public domain but not readily available.







Monday 5 August 2013

Few Books to RECOMMEND!!

As I am searching for rare scores online, I will not miss any chance to grab interesting Urtext editions by well-known composers. Here are a few books I will like to recommend with their respective dealers.
#1
Guess what? This is the paperback edition of the authentic Barenreiter RCW Urtext (with collaboration with Russian Music Publishing), titled 24 Preludes in a brand new scientific edition. The only thing that I am not satisfied is the language is in Russian only, including preface and critical notes. I bought this book a month ago from Ruslania, http://www.ruslania.com/entity-6/context-321/details-157712.html The paperback cover is quite thick though, with clear and precise notes printed on thick, larger size papers. Price is quite cheap at 27 euros compared to the hardback edition. I will recommend this book to highly-advanced pianists or serious collectors because the music inside is quite challenging, not suitable for intermediate learners. There is another book in the same series of Rachmaninoff Complete Works (V), the etudes-tableux.
#2
MENDELSSOHN  6 PRELUDES AND FUGUES
This is an authoritative edition by the deceased Howard Ferguson, a great musicologist, he didn't name it Urtext but he did consulted a series of original autographs by Mendelssohn. Clear and clean printed notes, with a brief intro and some critical notes at the back, this book provides sufficient details for a intermediate learner, such as precise fingerings. The price is $13 at bookdepository (free shipping), so I recommend any intermediate pianist to grab a copy for future reference.
#3 
Carl Czerny - Nocturnes for piano
First modern edition of all published and some unpublished nocturnes by the remarkable pianist and composer, Carl Czerny. This book is released straight after the CD release of published nocturnes played by Isabelle Oemichen. This is the first book I encounter Henry Lemoine editions (previously unknown to me). The contents are as follow:
Le Golfe de Naples, Tableau Nocturne ou Fantaisie Pittoresque Op.253 
 8 Nocturnes, Op.368 -
Rondo Nocturne en Lab, Op.506 nº3 
Nocturne Sentimental et Brillant en Lab sur un motif favori de Strauss 
 8 Nocturnes de différents caractères, Op.604 (L'hommage, Le désir, La persuasion, La colère, L'excuse, La consolation, La méditation, La joie) 
 Nocturne en Mib, Op.647 - Notturnino en Mib, Op.699 nº2 
 Notturnino en Lab, Op.728 nº3 
 Notturnina en Mib, Op.756 nº14 
Notturno en Mib 
 Notturno en Fa 
2 Nocturnes de H.W. Ernst transcrits pour piano (nº1 et 2 en sol mineur) 
Notturno en Mib , extrait de Mosaïque pour Piano sur l'opéra Martha de Fr. de Flotow 
Nocturne sentimental en Lab
Carl Czerny (1791-1857), the Viennese composer and pianist, produced a remarkable number of scores. They cover all genres except opera - most are for piano (or piano with other instruments). He published no less than 861 opuses (using 30 opus numbers more than once) as well as a large number of compositions without opus numbers (Werke ohne Opusnummer). In his monumental "Universal Handbook of Musical Literature: a practical and complete guide to all classical and modem musical publications from all countries" (1904-1910), Franz Pazdirek mentions 381 and, despite the title, his listing is not complete. As if that were not enough, Czerny also left behind a significant number of nonpublished manuscripts, probably amounting to several hundred works...
quoted from Henry Lemoine 

A definite try to encounter the pieces inside is a must!




Friday 2 August 2013

EASY CLASSICS: Clementi Piano Sonata op.41

Muzio Clementi is revisited again in this post to make a short pause and holiday break start for my musical journey. Let me give a brief about this particular sonata.
            The Sonata Op. 41 in E flat major has a somewhat convoluted history. When Clementi arrived in Vienna in the spring of 1804, he learned that a leading music publisher in the city, Artaria & Co., had just put out this sonata (together with assorted other pieces of his) without permission. This was embarrassing on more than one score: this composition was from a much earlier time in the composer’s life (he had likely left it behind after his last visit to Vienna in 1782), and, moreover, he had already borrowed some of its music for another sonata in E flat (Op 23 No 1). Clementi quickly arranged for a different Viennese publisher to print the corrective edition we hear in this recording, much revised, with the offending passage removed and a slow movement added. That slow movement is a fine one. The opening melody—with its distinctively long anacrusis figure, subjected to a series of ever-changing ornamental restatements—accounts for all the thematic material of the movement, and represents the more mature Clementi at his best. The first movement of this sonata, like the Sonata Op 23 No 1 for which it was cannibalized, once more looks like a revised concerto movement.
Hyperion
original reprint of the first edition 
available recordings: 
Piano Works. Complete Edition; pf: Pietro Spada, Arts Music.
Piano Sonatas Opp. 34, 41 & 50; pf: Tanya Bannister; Naxos, 2006, NAX 8.557453
Muzio Clementi: Piano Sonatas vol.4 (Hyperion Audio CD 2-disc set)

available modern edition(sheet music) :
Henle Clementi Selected Piano Sonatas Book 2
Ut Orpheus Clementi complete works

Here is the score for performance:
You just need to pay 99 cents for the score-finding fund!!